The House of Negritude and Human Rights opened in 1971 in the former Champagney town hall. It relocated to its present site in 1995. The museum was founded after local historian René Simonin discovered a document in the Haute-Saône departmental archives. This document is known as 'Article 29' of the Champagney Register of Grievances. In 1789, the inhabitants of Champagney, drew up their list of grievances at the request of King Louis XVI. This document would be used to prepare the meeting of the Estates General that would open the process of the French Revolution. 'Article 29' was a one-of-a-kind request to abolish black slavery on humanitarian grounds.
The museum is a tribute to the "Champagnerots" (people of Champagney) who made this extraordinary request. Text interpretation explores the context of the request, examining the french slave trade and the movement for abolition in other European countries in the nineteenth century. There are artefacts that highlight the terrible conditions faced by the enslaved, including a replica slave ship and items recovered from plantations in Haiti.
The interpretation also goes on to examine other forms of slavery in the contemporary world. This is embedded into the museum's popular education programmes that reflect on the development and importance of human rights around the world.
Musée d’histoire de Nantes (Nantes History Museum) was originally the residence of the Dukes of Brittany and the castle was restored in the 1990s. It opened to the public as a museum in February 2007. The museum is not wholly dedicated to looking at slavery, but explores the history of the castle and the city. However, it is acknowledged that the Atlantic slave trade is a key part of that history. The themes covered within the museum begin with the construction of the castle in the 13th century, and then follow the development of Nantes as part of Brittany through the ages until the 17th century. The museum also examines trade, the impact of the French Revolution, industrialisation, the two world wars and a contemporary look at Nantes as an ‘Atlantic City’. The museum added several rooms in 2016 that looked with greater detail at modern history. It has been designated a 'Monument Historique' by the French government. In addition to the historical artefacts housed in the museum, interactive and digital media is incorporated throughout as a part of the museum's aim to showcase the history of the city not only through objects and art work, but also contemporary technology.
Slavery is mainly addressed in the exhibition ‘Trade and Black Gold in the 18th Century’, where the displays address the role Nantes played as a key French port for vessels embarking on the Triangular Trade. Objects on display include maps, paintings and a collection of printed canvases produced in Nantes that would have formed a significant proportion of the cargo taken on the first leg of the trade voyage, from France to Africa. As well as examining France’s role in the logistical aspects of the trade, this exhibition also includes interpretation about Haiti. This interpretation has a dual focus, with Haiti as the destination for most of the ships originating in Nantes and the site of the most successful slave revolt in the western hemisphere.
Other exhibitions within the museum also look generally at the larger events in French history and how they changed Nantes’s relationship with slavery. Within the exhibitions on Nantes and the Revolution, the long process of abolition and then re-entrenchment of slavery under Napoleon are discussed in the interpretation. Until 1831 Nantes was still France’s largest slave trading port despite the activity being previously outlawed in 1816. Similar to the Memorial to the Abolition in Nantes, the Nantes History Museum intends to provide a reflection on local history both good and bad.
Uncomfortable Truths at the Victoria and Albert Museum sought to expose how embedded the transatlantic slave trade was within British culture during the 18th and 19th centuries through art and design. A series of five trails - 'Traces of the Trade' - explored the permanent collections on display through the following themes: Consuming the Black Atlantic, Black Servants in British Homes, Britain and the West Indies, Representing Slavery and Abolitionism, Gold and Slaves Transnational Trade Links. An exhibition of contemporary art examined the impact of the legacies of slavery on modern art and design. The Victoria and Albert Museum commissioned new works by Yinka Shonibare, Romauld Hazoume, Julien Sinzogan and Keith Piper. These and other contemporary interventions by a total of 11 artists were displayed throughout the museum. This exhibition later toured to Ferens Art Gallery in Hull.
The 'Truth and Rights' season of events highlighted often untold stories of Black British heroes, including focus on the actor Ira Aldridge. Visitors were also offered discussions, debates, displays and an eight week free art course. A two-day conference, 'From Cane Field to Tea Cup: The Impact of the Transatlantic Slave Trade on Art and Design' focused on V&A collections took place in February 2007.
An exhibition by Manchester City Council held at Manchester Town Hall commemorated the contributions of Black service people during World War II. The exhibition also included the Bicentenary Freedom Flag, to mark commemorations of the Abolition Act of 1807. Alongside exploring the efforts of women, West Indian men, and African men in wartime, the exhibition also told the story of the 761st Tank Battalion of the US Army, known as the Black Panthers Tanker Battalion. Primarily made up of African-American soldiers, the squadron was said to be deployed as a public relations effort to maintain support for the war effort from the Black community.